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A Review of Refik Anadol’s “Unsupervised” Exhibition at MoMA

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The Museum of Modern Art (MoMA) in New York is currently hosting a captivating exhibition by Refik Anadol titled “Unsupervised.” Running from November 19, 2022, to October 29, 2023, this installation transforms the way we interact with art and technology, presenting a groundbreaking integration of artificial intelligence (AI) with visual art.

Anadol, a pioneer in the field of media art, utilizes AI to interpret and reimagine over 200 years of art from MoMA’s extensive collection. The result is a series of digital artworks that continuously evolve in real time, responding to environmental inputs such as light, movement, acoustics, and even weather conditions. This dynamic interaction not only brings a new dimension to the experience of viewing art but also challenges traditional notions of artistic creation and curation​ (MoMA)​​ (Artnet News)​.

The installation is housed in MoMA’s Agnes Gund Garden Lobby, where visitors are immediately enveloped by a mesmerizing display of fluid forms and vibrant colors. These forms are generated by a sophisticated machine-learning model that Anadol trained to process and reinterpret the museum’s digital archive. The AI sifts through vast amounts of data, creating surreal and abstract visuals that are projected onto large-scale screens. The effect is akin to stepping into a dreamscape where the past, present, and future of art blend seamlessly.

Anadol’s work draws inspiration from the Light and Space movement of the 1960s, with a strong emphasis on optical illusions and geometric abstraction. This influence is evident in the way the installation manipulates space and perception, offering a sensory experience that is both immersive and contemplative. The continuous generation of new images ensures that no two visits to the exhibition are the same, encouraging repeat viewings and deeper engagement with the art​ (MoMA)​.

Critics have noted the exhibition’s ability to evoke curiosity and wonder, although some have pointed out the potential for it to be perceived as more of a technological marvel than a profound artistic statement. The continuous, ever-changing nature of the visuals can feel overwhelming, leading some viewers to question the depth and intention behind the work. Nevertheless, the spectacle of Anadol’s installation is undeniably engaging, inviting visitors to lose themselves in a flow of abstract forms and vibrant colors​ (Artnet News)​.

“Unsupervised” also delves into the philosophical implications of AI in art. Anadol describes his work as a meditation on technology, creativity, and modern art, exploring what machines might “dream” about when exposed to the vast history of human artistic endeavor. This concept raises intriguing questions about the future of art and the role of AI in the creative process. By using AI to reinterpret and transform existing artworks, Anadol blurs the lines between human and machine, creation and interpretation, offering a fresh perspective on the possibilities of digital art​ (MoMA)​​ (Art Compass)​.

The exhibition is made possible through collaborations with leading figures in AI and digital art, and it includes blockchain-based mementos for visitors, emphasizing the intersection of technology and art. These mementos, minted in limited editions, are available via QR codes, adding another layer of interaction and modernity to the experience​ (MoMA)​.

In conclusion, Refik Anadol’s “Unsupervised” at MoMA is a testament to the transformative power of AI in the arts. It pushes the boundaries of traditional art forms, offering an immersive and continually evolving experience that challenges viewers to rethink their relationship with technology and creativity. Whether you view it as a groundbreaking artistic achievement or a technological spectacle, “Unsupervised” undoubtedly marks a significant moment in the evolving dialogue between art and artificial intelligence.

Behind the Brush

Kara Walker: Back of Hand – A Visual Poem on Race and Memory at the Poetry Foundation

Kara Walker’s exhibition at the Poetry Foundation, “Back of Hand,” delves into America’s racial history through striking visuals and textual narratives, challenging viewers to confront the layered legacies of injustice and memory.

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Exhibition Dates: February 15, 2024 – May 18, 2024

Kara Walker’s exhibition, “Back of Hand,” currently at the Poetry Foundation, is a profound exploration of the intersections of race, gender, sexuality, and violence through the medium of language and text. This showing marks the first Chicago presentation of these works since their inception in 2021, initially debuted at the University of Georgia’s Lamar Dodd School of Art.

Walker’s installation, “2015 Book,” forms the centerpiece, featuring a series of 11 typewritten pages adorned with ink and watercolor illustrations. This piece, along with two substantial drawings titled “The Ballad of How We Got Here” and “Feast of Famine,” creates a visceral narrative landscape. These works employ textual fragments and handwritten notes that appear as excerpts from a larger discourse on power and historical oppression, making the exhibition feel like a visual form of poetry.

The expressive content of Walker’s work often contains disturbing imagery meant to challenge the viewer’s understanding of America’s racial history. For instance, illustrations depict unsettling scenes, like a pregnant woman surrounded by tumultuous symbols of consumerism and violence, reflecting deep social and racial critiques. This stark imagery is part of Walker’s broader narrative technique, which uses disorienting, collage-like forms to provoke reflection on historical and contemporary injustices.

“Feast of Famine” and “The Ballad of How We Got Here” stand out as monumental in their scale and thematic ambition. These works extend the thematic scope of Walker’s earlier pieces, weaving dense narratives that critique historical narratives and their present-day ramifications. The exhibition’s layout and the thematic connectivity of these pieces underscore Walker’s unique ability to blend narrative depth with stark visual impact, making a visit both a reflective and impactful experience.

Overall, “Back of Hand” is a significant exhibition that underscores Kara Walker’s stature as a pivotal figure in contemporary art. Her works at the Poetry Foundation continue to invite deep engagement with America’s complex racial history and present, challenging viewers to confront uncomfortable truths through the powerful medium of art.

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